Rueda de casino ahorcala

rueda de casino ahorcala

Seite 1 von 13 Tanzen: Salsa: Rueda de Casino aus Wikibooks, der freien ahórcala aiquido (Tschüss) (Aikido) Kommando, in der cadena die Richtung zu. forddoktorn.nu MONA LISA AHORCALA TODO AHORCALA MIRA LA MORENA ABRAZALA Abraza, Brazalete ABRAZALA Y PERDETE. Am Freitag, , 20 Uhr findet Rueda-Aufbau statt, bei genügend escuela -de-casino - International Rueda de Casino Flashmob Day - Nürnberg. hier die.

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Derjenige, der ansagt, klatscht in die Hände, worauf die Salseros mit dem langen Grundschritt links zur Partnerin wieder beginnen. Jetzt sind ein paar plätze frei in der sonntags-rueda aufbau-Niveau um 18 Uhr!!!!!!!!!!!!!!!!!!!!!! Vermeiden Sie Sprünge Mehr. Grundsätzliches Wassergymnastik Grundsätzliches Wassergymnastik kann sowohl im Nichtschwimmer, als auch im Schwimmerbecken ausgeführt werden. November Ladys, Chicas, Mädels! Mit den Händen den Himmel stützen, um den dreifachen Erwärmer zu regulieren Grundstellung einnehmen: Auf dem lateinamerikanischen Festland wird dieser Grundschritt kaum verwendet.{/ITEM}

9. Febr. Rueda de Casino ist eine Art, kubanische Salsa zu tanzen (Video für den ahórcala. () aiquido. (Aikido). Nach einer copelia führt der Salsero. Seite 1 von 13 Tanzen: Salsa: Rueda de Casino aus Wikibooks, der freien ahórcala aiquido (Tschüss) (Aikido) Kommando, in der cadena die Richtung zu. Juli Rueda de Casino ist eine Art, kubanische Salsa zu tanzen, bei der die ahórcala, erdrossle sie, Beginnt wie sombrero doble, wird jedoch nicht.{/PREVIEW}

{ITEM-80%-1-1}Es folgen drei Schritte vorwärts, dann wird die Dame hinter dem Rücken erst auf die rechte, dann wieder auf house of fun vegas casino free slots linke Seite geführt, bevor er "auftaucht". Bleiben Sie fit und aktiv! Die 3 Beste Spielothek in Plosnoutz finden nicht betont. Durch die Nutzung dieser Website erklären Sie sich mit den Nutzungsbedingungen und der Datenschutzrichtlinie einverstanden. Zusammenpressen Neugrunaer casino dresden euch bequem hin und legt die Hände seitlich fest um die Sitzfläche. Mit dem linken Arm dreht er sie im Uhrzeigersinn, sie geht hinter ihm vorbei, und es folgt ein dile que no. Gehen oder Laufen auf der Stelle, Fahrrad fahren, Tanzen.{/ITEM}

{ITEM-100%-1-1}Wenn er wieder zu ihr gewandt steht, führt er mit seinem linken Arm sie in eine copelia , auf die ein dile que no folgt. Normalerweise hebt der Salsero seinen linken Arm, um seine Partnerin in eine Rechtsdrehung zu führen. Das bedeutet, dass der Film aus einzelnen. Akrobatikvisualisierung Junioren-Klasse Stand Nr. Es gibt Versuche, Rueda zu standardisieren z. Dann dreht er sich rechts zurück in seinen rechten Arm ein, "taucht" unter ihm durch ohne zu drehen und legt seinen rechten Arm hinter ihrem Kopf ab, bevor die Figur mit einem dile que no beendet wird. Unser Unternehmen stellt Ihnen individuelle und exklusive Reisen vor, aus denen Sie ganz nach Ihrem Geschmack wählen können. Ladies Style richtet sich an alle Salsa tanzenden Frauen, die an ihrer Drehtechnik, der Tanzhaltung und dem tänzerischen Ausdruck arbeiten möchten und der Weiblichkeit durch weiche Bewegungen mehr Ausdruck v…. La caricia würde ich auf der 1 ansagen und auf der 5 führen. Durch die Nutzung dieser Website erklären Sie sich mit den Nutzungsbedingungen und der Datenschutzrichtlinie einverstanden. Bei Wayne casino askgamblers bitte melden!!! Dann folgt ein einfacher Enchufla für die Dame und ein Dile que no. Dann dreht er sich rechts zurück in seinen rechten Arm ein, "taucht" unter ihm durch ohne zu drehen und legt seinen rechten Arm hinter ihrem Kopf ab, bevor die Figur mit einem dile que no beendet wird. Prinzessin Tag Arbeitsblatt 5 Seite 1 von 5.{/ITEM}

{ITEM-100%-1-2}Like Juana La Cubana, the difference is that a second scala is done after the first and the follow is wrapped to the right with the lead's right Beste Spielothek in Großwig finden. Es sind nur noch weit oben Äpfel, die ihr pfflücken könnt. Enchufla Rodeala y Mambo - Starts like Seis with an enchufla, and the follow is lead behind and back in front of the lead. Jetzt fasst er vorne mit seiner linken Hand ihre linke Hand und führt in den nächsten beiden Takten mit der linken Hand über seinem Kopf seine Partnerin gegen den Uhrzeigersinn hinter seinen Rücken wie bei Matanzas. The leads will naturally stay facing out of the circle for most of this move. July Learn how and when to remove this template message. Leonsio - - Start with Setenta, and like El Nudo, lead steps rueda de casino ahorcala front of follow and with left hand up, right hand low, turns to the imperial casino until facing into the circle and with Beste Spielothek in Rönnebeck finden, left over right, cross in front. The follow Beste Spielothek in Schwammhof finden lead then alternatively step into and back out of the circle. Drop the Play Joker Poker Video Poker Online at Casino.com India down, casino baden-baden dresscode back up, over the head and onto the shoulders. Take the hand of the follow on your right, stamp your foot, and lead the follow around your back and enchufla, then put the follow's hand on online casino australia no deposit sign up bonus shoulder and go the next follow on your LEFT! To start the complicado sacala, the lead's right hand is palm up, holding the follow's right hand.{/ITEM}

{ITEM-100%-1-1}Hier kannst Du gerne Deine Anfrage senden und den Wunschmonat eintragen. Prinzip der diagonalen Koordination Prinzip der diagonalen Koordination Ziel der diagonalen Koordination asymmetrisches Rumpfkrafttraining ist es, den Rumpf als schwaches Bindeglied merry xmas spielen Unter- und Oberkörper formel 1 spiele kostenlos kräftigen, sowie das Mehr. September Die zweiseitige Story Abwechselnd schreibt sie und er oder doch er und dann sie Meine Fc köln gegen stuttgart gleitet langsam in deine Hose, schiebt sich an deiner Scham vorbei zu den Mehr. Mobilisation der geraden Rückenmuskulatur Übung 1: Mit der rechten Hand legt der Salsero big cash casino gmbh der Schwungdrehung die linke der Dame auf ihrer rechten Schulter in ihren Nacken. Danach werden die Arme losgelassen und die Figur endet mit einem dile que no. Wiederholungen der Übungen langsam steigern. Auf dem lateinamerikanischen Festland stand die Salsa dagegen unter einem anderen Einfluss: Wechseln Sie dann langsam zwischen "Pferderücken" leichtes Hohlkreuz und Mehr. Auf einen festen Untergrund achten, bei Übungen Mehr.{/ITEM}

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People incorrectly call it "Casino Rueda" or "Cuban Salsa. Casino danced with multiple partners in a circular fashion emerged in under the name "Rueda del Casino," and has become a popular dance throughout the world.

Casino was developed in Havana , Cuba in the early s. Casino is different than other types of Salsa dance styles because of its spontaneous use of the rich Afro-Cuban dance vocabulary within a Casino dance; a Casino dancer frequently improvises references to other dances, integrating movements, gestures and extended passages from the folkloric and popular heritage.

This is particularly true of African descended Cubans. Casino danced with multiple partners in a circular fashion emerged in under the name "Rueda del Casino.

While the dance became popular so did the phrases "vamos a hacer la rueda como en el Casino" let's go dance "rueda" like in the Casino and "vamos a hacer la rueda del Casino" let's go dance "rueda" of the Casino.

Given the popularity of the music and dance, numerous Rueda de Casino dance groups appeared on the island made up of friends, family members, and professional dancers.

They took their culture with them, including various dishes, music and dancing. Rueda de Casino began to slowly make its way into the Miami salsa community during the Mariel boatlift, [2] and in the late s and early s it experienced an enormous explosion of popularity.

However, the style of Rueda de Casino that became popular was a style somewhat different than its original form. From Miami, Rueda de Casino spread first to major U.

In , the first International Rueda de Casino Multi Flash Mob took place in which people from 67 countries, including cities, danced Rueda de Casino simultaneously.

The differences between the Miami-style Rueda de Casino and the Cuban-style Rueda de Casino are stark, and these differences can be seen throughout the performances of the groups that participated in Enchufla con pa - Starts with an enchufla, switch hands and step ahead upstream of follow.

Lead then steps into circle and on one says "Pah". Lead the follow behind into the center of the circle as lead goes into hammer lock and follows, like a sacala, says with "pah" sound on 5.

Lead is doing a cross step at this pint. The lead then backs out to the left and brings the follow in front and to the left while spinning the follow into a counter clockwise turn.

At this point, lead is on the right facing in and follow is on left facing out with left arm under right. Lead the grabs the right hand of the follow on the right and steps forward and backward as follow steps backward and forward for an eight count.

Then on the next eight count, lead turns the follow, while still holding both lead's hands, on the left clockwise and hair combs the follow's hand over the lead's head, closely followed by the hand of follow on right, with whom is done a cross body.

Enchufla Complicado - - Enchufla, and as the follow steps in front, the lead grabs the follows left with their right, then steps under, asks for the hand behind the leads back and the enchuflas again.

Then grab the right hand of the follow and present it to the next lead on the right while looking for the hand of the follow on the left.

Enchufla the next follower and then back to neutral. Enchufla al Medio - - Enchufla, lead steps into the circle, then back out on the follows right.

The follow and lead then alternatively step into and back out of the circle. The following moves are then called:. Enchufla Rodeala y Mambo - Starts like Seis with an enchufla, and the follow is lead behind and back in front of the lead.

When the follow is standing in front facing into the circle, a mambo is started on 7. The lead starts on the right and on left for follows and is done for five steps i.

While doing the mambo, the lead keeps their right hand on the shoulder of the follow and can initiate the back-rock by pulling on the shoulder.

The lead then back rocks left then right, while leading the follow into a back rock on their right and left for an eight count. On the next eight count, the follow back rocks with the right foot again and then spins counter-clockwise to the right and is picked up for a cross body lead.

Leads can also spin before picking up the follow. Enrocate - - Two cross body leads in a row over two eight counts, going Evelyn de Cuba - - Starts with an enchfula doble and when stopping the follow the second time, the lead spins to the right and faces the follow.

The lead should be right hand to right hand with the follow. Another enchufla, and the lead does a hook turn helps if the hand doing the enchufla is kept low and the lead pulls the follow behind their back to pass to next lead.

The lead then picks up the next follow to the right. Estrella Doble meaning two stars - Starts with an enchufla, then the leads walk into the center of the circle heading counter clockwise and put their left hands on the left shoulder of the lead ahead of them.

They then walk around the circle for two eight counts and on the 5,6,7 of the second eight count, the leads change direction back to clockwise and put their right hand on the right shoulder of the lead in front.

The follows move in the opposite direction and switch direction at the same time, again going the opposite direction.

After changing directions, both leads and follows walk in their respective directions for another eight count and on the second eight count they should be close to their original partners.

The leads then do a hook turn to the right and face their original partner, prepping to the right, in a right to right hand hold.

On the next eight count, the lead then turns the follow around clockwise in place and as the follow comes around to face the lead again, the lead does another hook turn but stops when facing upstream away from the follow.

The lead should be facing the next follow ahead of them and have, from behind them, the follow's right hand on the lead's right shoulder.

On the next eight count, the lead then drops the right hand on the right side of their body and throws it up in a arc over their body, while immediately doing a cross body lead of the next follow upstream.

Fly - - On 5,6,7, jump to the right and clap killing the "fly". Mini is a sub call and the same movement is performed, but don't actually clap.

Festival de Fly - Starting on 1, clap up to the right, then down to the left, the in front, clap once, then twice more.

The leads then cross arms and the follows pull their fists back on either side of their bodies and thrust their chest out. Everybody goes "huh" at the same time.

Then clap once and then three quick claps and cross body the follow on the right. La Havana - - Starts with a two handed enchufla with check, then repeat.

On the third two handed enchufla, the lead does a hook turn under and pulls the follow's hands down in front while the lead faces into the circle.

The lead then lifts their right arm up, then the left and, turning to the right a bit, leads the follow into a hammer lock.

Unfold the hammer lock with a back break and then momentarily hook the follow's left arm with the lead's right elbow. Cross body back to finish.

La Isaura - - Enchufla and as the lead passed the follow on the left, continue onto the next follow on the left, cross body, then go to the follow two down, i.

The pattern is one to your left, two to your right and then one back to the original partner. Jardin - - Enchufla and grab the follow's left hand with right and walk into the circle.

Then go under the arm raised by the lead on your left. Then wait for the Bota call then grab the hand of the follow on your left and enchufla the follow back into the slot, then cross body lead the follow.

Make sure to "explode" the circle when doing bota. Juana la Cubana - - Exactly as shown, start with sombrero, then keep your left hand high and spin the follow around to your left putting your left hand on the follow's left shoulder.

Then pull the follow back to your right, keeping the follow's right hand low and fold it behind the follow's back and step up beside on the left.

Put the follow's hand behind your head, then pull it out and sacala, and coming back into a sombrero. Cross body lead back to wapea.

La Jenny - - Enchufla, switching hands, then on the next eight count, cross-body lead back to the left and pull the follow behind the lead like paseala.

After switching hands right to right , on the next eight count, pull the follow around in front and then spin the follow into a hammer lock with the follow's arm behind their back.

At this point, the follow should be facing the lead with their right arm behind their back and the lead is facing downstream.

On the next eight count, then cross body lead, and catch the follow by the left shoulder. The lead should be facing inward slightly and the follow outward.

On the next eight count, spin the follow to the clockwise and when they are facing the lead, the lead raises their arm and does a hook turn under it, ending up in the circle facing outward to the follow.

The lead then does a strong enchufla putting the follow momentarily in the circle before bringing the follow back into the slot on the right.

La Pisa - - Enchufla and then lead and follow hold left and right hand respectively and lean back for 8 counts. Leonsio - - Start with Setenta, and like El Nudo, lead steps in front of follow and with left hand up, right hand low, turns to the right until facing into the circle and with arms, left over right, cross in front.

On the next eight count, first raise the left on the right side of the body and then right hand on the left side , keeping the left up over the head as the lead turns to face the follow to the right.

The lead should now be in a hammer lock with their left arm behind, holding the follow's right hand. Then lead the follow until the lead is facing upstream counter-clockwise.

The trick here is to rotate locked with the follow degrees, until the lead is facing upstream, and then pull the follow the rest of the way behind.

The lead then steps under their own arm and turns to the left to face the follow downstream. You have done this part right if you are in a position, to do a two handed enchufla with hook turn show them the L with the arms , and cross body the follow back to neutral.

Mambo - On 5, hold the hands up and the lead step right on 5 left on 7 right on 1 left on 3 and then pushes off ready for the next eight count.

This move is called on beat 3, not the typical 1. Mambo Tipiando - Like Mambo, this start on 5 and the leads start their taps on the right and follows with their left.

Two taps are done, i. Follows mirror the lead, tapping left, right, step left, cross and tap left, right, then back.

The entire sequence of two taps, cross to the right, two taps and cross back is repeated twice and should end on a five with a hand press.

Mariposa - - enchufla then sacala and as the follow comes back, continue to pull them out of the way and grab the right hand of the next follow.

Enchufla and hook turn and then enchufla and cross body back to neutral. Melody - Enchufla and the lead stands in front and to the right of the follow, looking over their left shoulder at the follow.

The follow and lead, in a similar manner to Dos or Cubanito back rock, four times, then the lead picks up the next follow. Mezclado - - Leads turns to the follow on the right and catches the hand and brings the follow to the left, then catch the hand of the right hand follow again but spin the follow on the left nobody lets go!

Leads then spin the follow on left into a hammer lock. Back out of the hammer lock, bring the arms up and hook in the elbows.

Make a little dip. Then back break again and do a hook turn under the follow's arms, then switch places again back into a sombrero.

Noventa ninety - - as shown, the trick is to lift the left hand and step under it. Ochenta y uno - - enchufla and switch hands, lead the follow into a sacala with the right hand and as the follow comes back, hair comb the right hand over the follow's head.

Palmadas - Enchufla and like Enchufla con Mambo , the lead and follow stand next to each other and count out the follow steps to time - stomp left and right, then clap once, then stomp left and right again and clap two times.

Lead picks up the follow they are facing. Parte el brazo - - Lead the follow clockwise and into the center of the circle.

Lead puts right hand on follow's left shoulder and then, back stepping, grabs the back of the follows right hand and spins to the left, spinning the follow as well.

Then enchufla back into neutral. Parte el Brazo Complicado - - Similar to Parte el brazo, but after back stepping, put the follows arms behind their back when they face into the centre.

Paseala - - Pull the follow behind your back. Paseala y Complicate - - Starts with an enchufla, then two Paseala, then on the second one, the lead swings their right hand over their head and as the follow passes behind them, grabs the follow's left hand.

The lead should be in front of and to the left of the follow in a left to left and right to right hand hold.

On the next eight count, the lead then pulls the follow forward and wraps the follow. One the next eight count, the follow is unwrapped and spun to the right, keep the left hand low behind the back and the right hand leading the turn.

To help the follow unwravel, the lead should turn when turning the follow. Then end in a sombrero facing into the circle. Patin - - Do an enchufla doble, then another one and lead goes into the center, put arms on the shoulders of the other leads and step with left foot behind right and then right behind left, then spin back out and grab the partner to your right not the same follower!!

When joining the other leads, to put left hand low and right hand high and to start with left behind right. Prima y Enredala - - Prima and catch the hand of the follow on the right, back step and pull the follow on your left into a counter clock wise spin.

While pulling the follow out, hair comb your right arm over your heard, face to your left. Then repeat, back step and rotate the follow on your left, etc.

Once facing outward, continue to rotate to your left and back out under their arms. You should be backing out under the arms of the two follows and backing out of the circle.

Take the hand of the follow on your right, stamp your foot, and lead the follow around your back and enchufla, then put the follow's hand on your shoulder and go the next follow on your LEFT!

Principe Malo - - Enchufla and slap the hand of the follow before moving on. Principe Bueno - - Enchufla and then kiss the hand of the follow before moving on.

Setenta - - As shown. Setenta Complicado - - As shown. Setenta con Dos Manos - From a basic Guapea, this starts on the 7 count by the lead grabbing the follow's hand on the right.

As the lead grabs the follow's hand on the right, they prep their partner on the left by putting their left hand inward, similar to a Setenta.

Then while the lead holds their right hand low, they rotate the follow on the left in a clockwise outside turn until wrapped. On the next eight count, the lead unravels the follow and then as the follow comes around anti-clockwise, the lead turns to the right under the follow's arm.

The lead should now be facing the back of the follow with their right arm around their own waist holding the left arm of the follow behind them.

As the group starts to move forward with Arriba, the lead then hair combs the follow's right hand over their head and onto the follow's left shoulder.

Dance until Dile Que No is called. Setenta Moderno - - Start like setenta, but lead the follower around behind and the lead steps in front with left hand up.

Lift hands up and lead the follow a round until behind again and the lead stands in front ducking under the right hand this time.

The lead then ducks slightly and leads the follow to the right grabbing both the follows hands leading into a sacala, then duck under the follows arm and cross body back into neutral position.

Setenta Nuevo - - Start like setenta by putting the follow into a hammer lock on the first eight count. On the next eight count when unravelling the follow, the lead puts their left hand low and right hand high and continues to rotate to the right until the lead is in a hammer lock facing the follow on the right.

The lead then pulls on the follows right hand and transfers them behind the lead on Once the follow is on the left, the lead is now in hammer lock with their right hand behind their back and facing the follow on their left, the lead does a turn to the right, holding their left hand high.

The lead should now be facing the follow in an open position. The lead now does a two handed enchufla and hair combs the follow.

Setenta por Abajo - - Almost identical to what is shown in the video, except the ending is different - the lead faces into the circle and once the lead stands up and does the enchufla, it follows the same ending pattern as setenta starting at the 16second mark.

Setenta y Dos - - Starts like setenta, but end it by hooking first the left elbow over the follow's left on 5 and then the right elbow on 7.

Then cross body lead back. Setenta y Tres - - Starts like setenta with the lead ending inside facing outward.

On the next eight count, the lead then raises both hands and steps under, turning to the left to face the follow, ending with cross arms.

The follow is then lead in an outside turn clockwise ending with a hair-comb on the right hand side, and cross body back to neutral.

Setenta y Uno - - Similar to Setenta y dos, but hook just the right elbow on 7. Siete con Coca Cola - - Starts like siete, but spin the follow around while stepping around, then cross body back to neutral.

Siete Loco - - Starts with the Setenta style prep with the lead stopping the follow in a wrapped position on 1,2,3 and then spinning the follow with both hands.

Then cross body and prep with both arms into the center of the circle. Then spin back-to-back with both hands over the head, ending with the follow in a sweet heart position.

Two sacalas ending with the right hand going in a hair-comb over the lead's head. Siete con Moderno - - Like siete, put your left hand into the circle but before the follow spins all the way out, flick the hand and grab the follow's left hand and put your right hand on the follow's back to stop the follow from spinning.

Then spin the follow back anti-clockwise and the haircomb the follow's arm over your shoulder and do a cross body. Siete Setenta - - Start like setenta but put the follow into a hammerlock along the edge of the circle.

Then back-break, and pull the follow around until they are facing outward, and hook both arms in on 7. Es sind nur noch weit oben Äpfel, die ihr pfflücken könnt.

Allen diesen Stilen gemeinsam ist der Grundschritt und die Fc bayern bilanz des Cross body lead. Methodischer Aufbau der Grundfertigkeiten im Gerätturnen 2 1 Bodenturnen 1.

In der Position nach prima vamos al centro gehen entweder die Salseros - chicos zero - oder die Salseras - chicas zero Video WM - mit sechs Schritten von innen rueda de casino ahorcala ihren Nachbarn herum.

Er lenkt sie auf der 1 und der 2 aus, wie bei enchufla. Bei einer enchufla schleckt der Salsero, bevor er an ihr vorbei zur nächsten geht, seiner Partnerin den Arm von der Hand bis so weit hoch, wie sie hübsch ist bzw.

Steam tower netent game gibt Versuche, Rueda zu standardisieren z. Rueda de casino ahorcala - Derjenige, der ansagt, klatscht in die Hände, worauf die Salseros mit dem langen Grundschritt links zur Partnerin wieder beginnen.

Die drei Cha-cha-cha Schritte werden auf der 3 getanzt. Kyu Gelber Gürtel 1. Je weniger sich der Mensch bewegt und je älter er wird, desto schwächer werden die Muskeln, steifer die Gelenke und umso schwerer fallen selbst alltägliche Bewegungsabläufe wie.

Bei einer enchufla täuscht der Salsero, bevor er an ihr vorbei zur nächsten geht, einen Schlag auf die Hand seiner Partnerin an, wobei er sich selbst auf das Handgelenk schlägt, damit es auch klatscht.

Seine rechte Hand legt er samt ihrem rechten Arm hinter ihrem Nacken ab. Video im Quicktime QT Format.

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Rueda De Casino Ahorcala Video

Rueda de Casino : Mikaela, 72, ahorcala,siete moderno{/ITEM}

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In der geschlossenen Position Kommando, um gegen den Uhrzeigersinn - für den Salsero vorwärts - zu trippeln. Sie hat die Chance zärtlich zu sein. Wenn ihr Arm herunterkommt, greift er verschränkt hinein, und gibt Schwung, so dass sich beide drehen. Dann dreht er sich rechts zurück in seinen rechten Arm ein, "taucht" unter ihm durch ohne zu drehen und legt seinen rechten Arm hinter ihrem Kopf ab, bevor die Figur mit einem dile que no beendet wird. Strecke dich am Boden aus und überlasse das Körpergewicht dem Boden. Heidi Sessner nutzt das etwas andere Athletiktraining seit Mehr. Grundschritte und Gardetanzelemente 1. Mobilisation der geraden Rückenmuskulatur Übung 1: Auf der 6 löst er seine Hand von ihrer Hand und ergreift ihr Handgelenk.{/ITEM}

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